A group of six unlikely but brave children confront the trail of a immense and fearsome otherworldly evil that has invaded our existence from the outer limits of oblivion. They must spend their lifetimes confronting it, enduring terror upon terror in the struggle.
This describes the premise, roughly, of the master of horror’s iconic book It (arguably his finest; no arguments). It parallels of the celebrated author’s heir Joe Hill’s new chilling tome, in which six friends call forth the ancient, utterly malevolent beast the Dragon King from the Long Dark to assist them in vanquishing some antagonists. Needless to say, their otherworldly invocation goes awry.
Joseph Hillström King began his writing journey striving diligently to distance himself from his renowned parent, using the pseudonym he continues to employ and eschewing in-person meetings with his agent (he exhibits a striking resemblance to his dad). However, in his newest work, he embraces it. Several quotes that intentionally mirror some of the senior author’s well-known (“The man in black fled across the desert …”); a incident that evokes a signature King element (a riddling contest). In this whopper of a novel, the author rejoices in his family connection, and we delight along with him.
Returning to the group: the majority are students at the imagined Rackham College in Maine. There’s Arthur, academic and intelligent, deciphering historical enigmas in his spare time; another key figure, wealthy, clever, and prone to trampling those who oppose him; twins Donna and Donovan; the beautiful Allie. And there’s Gwen, who remains outside their academic circle, but emerges as crucial of their band as they dabble, half believing, half not, in the occult.
Arthur is, due to circumstances beyond his control, obliged to take rare books from his beloved college library by a set of regional villains. This tears at his bookish heart, notably because he’s forced to acquire the library’s most valuable and unsettling title: the journal of occultist the historical figure (put to death “for trafficking with the devyll in 1703”; the binding is made from his skin). The intrepid group read the journal, learn they can invoke what Crane describes as a clever snake to help Arthur out with his coercion issue – and occupy the subsequent narrative reaping the consequences. This ancient entity will undoubtedly remove those troublesome local drug dealers, but they must select a different victim each year or fall prey to the beast. As Arthur later puts it: “You invoke terrible forces, all you get is more dragons.”
Moving through four decades, the author shifts with effortless ease across narrative styles: as the allies strive to manage the situation they find themselves in by, through diverse methods, picking people who are obviously evil to sacrifice, or seeking means to destroy the entity themselves, we go from thriller to dark fantasy, black-ops torture to romance to horror. A standout transition was to a adventure narrative, far beneath the surface under the English county, a section tinged by JRR Tolkien that was wonderfully frightening.
There are trolls – the classic variety and digital trolls, truly terrifying and perfectly brought to life. There are magical swords and treacheries, breath-taking moments of courage and scenes of terrible wickedness, both mortal and extraterrestrial. It stands as a masterpiece: a horror novel that is chiefly a tribute to the creative spirit, and to devotion and companionship. “We needed a story to believe and {now we’ve got one|presently we possess it|currently we hold it,” says this character as the friends gather at the table, preparing to summon their serpent to life with the force of their minds.
According to Joe Hill in his epigraph: “This is dragon territory”. Ensure you experience it.
Renewable energy consultant with over a decade of experience in sustainable development projects across Europe.